Feature / Is Kazakhstan’s film industry on the brink of international success? Netflix has shown interest in films made in Kazakhstan, but the industry needs to win an audience at home too By Eric Song / 22 Sep 2022
Opinion / Why Stranger Things is the dystopia millennials and Gen Z deserve Netflix’s hit series is classic portal fiction, but the monsters in its ‘Upside Down’ fit our troubled times By Adam Ramsay / 30 Jun 2022
Opinion / I was a child of Section 28. ‘Heartstopper’ helps heal the pain The new British drama series shows LGBTIQ freedom as a normal part of school life. If only my own school days had been like that By Dan Glass / 7 May 2022
Opinion / ‘Queer Eye’, Jordan Peterson and the battle for depressed men Progressives need to learn from the Netflix show’s battles against toxic masculinity. And the Fab Five need to recruit a trade union organiser. By Adam Ramsay / 29 Aug 2020
Home / ¿Puede estar Netflix precipitando un fenómeno de memorias colectivas únicas? Un análisis del contenido histórico de Netflix arroja una advertencia clara al espectador de resistir el instinto y comenzar a consumir esa ficción histórica sabiendo conscientemente que no es más que ficción. By Nicholas Dale Leal / 2 May 2019
