Harold Crooks’ film The Price We Pay (2014) explores how tax havens are changing the nature of the modern state. From the Open City Documentary Festival. Archive: July 7, 2015.
Karen Guthrie’s film The Closer We Get (2015) offers a rare insight into her family’s story and the secret that her father kept hidden from the family for so long. Part of our partnership with the Unorthodocs programme of screenings and events.
Ryuji Otsuka’s film Beijing Ants (2014) explores the consequences of his family’s eviction from a Beijing apartment. From the Open City Documentary Festival.
Sander Burger’s film Alice Cares (2015) delves into the lives of three elderly women who participate in a pilot study with a ‘care-droid’, called Alice. From the Open City Documentary Festival.
Andrew Kötting’s film By Our Selves retraces a four-day walk made by the poet John Clare: “start moving and the path reveals itself”. At the Open City Documentary Festival on 20 June 2015.
Anna Odell's film The Reunion is an original approach to the well-worn ‘victim takes revenge on bully’ narrative.
Maša Drndić’s film The Waiting Point traverses destruction and stagnation in Croatia. At the Open City Documentary Festival on 20 June 2015.
Damien Froidevaux’s Death of the Serpent God is not about politics, and yet it is a deeply political film. At the Open City Documentary Festival on 18 June 2015.
Laurent Bécue-Renard’s film Of Men and War is a painstaking documentation of PTSD afflicting those returned from Iraq. At the Open Documentary Festival on 17 June 2015.
Måns Månsson’s film Stranded in Canton straddles false promises and Sino-African culture clash. At the Open City Documentary Festival on 17 June 2015.
Anna Roussillon’s I am the People intimately documents the Egyptian revolution’s effect on a rural family. At the Open City Documentary Festival on 20 June 2015.
Sander Burger’s film Alice Cares delves into the politics of care, and the swiftly unfolding prospect of human-robot relationships. At the Open City Documentary Festival on 18 June 2015.