Home Filming Syria: the politics of access Does Ahmad Ghossein's film contribute to the erasure of the history of the Syrian revolution? By Stefan Tarnowski / 25 Feb 2020
Home The diasporic alienation of Syrian cinema In the absence of Syrian screening platforms, who is the audience? By Guevara Namer / 11 Feb 2020
Home New Cinema in Syria: The revolution continues, but so does censorship Syrian cinema has more or less escaped regime censorship, or else we would not have witnessed new films and directors reaching the highest ranks in festivals. By Rachid Issa / 4 Feb 2020
Home سينما جديدة في سوريا: الثورة مستمرة، والرقابة أيضاً نجت السينما السورية عموماً من رقابة النظام، ولولا ذلك لما شهدنا أفلاماً ومخرجين جدداً وصلوا إلى أرفع الأماكن والمهرجانات. By راشد عيسى / 4 Feb 2020
Home In Syria, education gives a flicker of hope: photo essay In times of conflict, school can transform lives, reduce the risk of joining armed groups and nurture peaceful and cohesive communities. By Genevieve Lomax / 24 Jan 2020
Home Syria: Let there be mayhem As media turn away from covering government-controlled areas, Syrians are experiencing an unprecedented level of structural violence. By Myriam Youssef / 23 Jan 2020
Home سوريا: نهاية العام الأسوأ دون انتهاء المعاناة القذائف توقفت.. ولكننا لسنا بخير. By مريم يوسف / 23 Jan 2020
Home The audience of Syrian cinema in Germany: between production and restrictions What does the Syrian cinema look like in the Federal Republic of Germany and who is its audience? By Dellair Youssef / 21 Jan 2020
Home عن جمهور السينما السوريّة في ألمانيا والقيود الإنتاجيّة المفروضة على هذه الأفلام كيف تبدو صورة السينما السوريّة في جمهوريّة ألمانيا الاتحاديّة ومن جمهورها؟ By دلير يوسف / 21 Jan 2020
Home New Syrian cinema: young and gasping Despite what many call a global news fatigue with Syria, powerful films continue to emerge. By Maya Abyad / 14 Jan 2020
Home السينما السورية الجديدة، شابة تلتقط أنفاسها رغم ما يسميه البعض بإنهاك إخباري عالمي من سوريا، تستمر الأفلام القوية بالظهور. By مايا أبيض / 14 Jan 2020
Home Traditions of absence and ambiguity: the Syrian documentary and its public Why are Syrian documentaries detached from the Syrian audience? By وسيم الشرقي and Waseem al-Sharqi / 18 Dec 2019
